Autonomy and awareness

True autonomy, along with the ability to reflect and learn from one's mistakes, may be impossible without self-awareness. Those who design robots strive to incorporate some measure of self-awareness into their creations. One research project ,striving to create autonomous, dependable machines, "focused on the biologically inspired capability of self-awareness, and explored the possibilities to embed it into the very architecture of control systems."   

William by Mason Coile is a novel about robots and their creators, about how much information they choose to share or withhold from one another. Henry and Lily live in a modern, highly secure and private home. A successful coding wizard, Lily sold her firm, coming and going as she pleases. Henry, likewise a skilled engineer, has agoraphobia. He is content to stay at home, building AI robots including a toy magician, a dog and his most recent creation, an elaborate being Henry calls William. 

Lily is pregnant, yet there is a odd distance between the couple. Henry lives for Lily’s approval, constantly calculating what will please her, while she responds with patronizing interest. “There may be no magical words to keep her here, but showing his concern for her certainly couldn’t hurt. As soon as speaks, he realizes how he may be wrong about this too.” 

The novel takes place over he course of one day, and at the start, Henry admits to having a recurring dream. Lily poses questions, and Henry balks, dismissing his dreams: “Don’t we have other things-”  

Lily responds, “Dreams tell us who we are…. Don’t you think we could all use some help with that?”

Lily prepares for visitors from her company and Henry turns his attention to William, whose intelligence and capabilities transform rapidly. William has an attitude, a machine that feigns helpfulness while pursuing its own goals, forcing second-guessing on Henry's part. “Among the robot’s peculiar gifts is a way of speaking that offers interpretive forks in the road, one leading to benign interpretations and the other to something mocking or cruel or threatening.” 

A breaking point comes when Lily's two co-workers arrive. Henry overhears a conversation, immediately understanding that Lily loves another man. Henry rushes off to be with William. The machine inquires about the guests, determining that Henry is “not sure if I’m something to be proud of or ashamed of …. Good. Or Bad. But it shouldn’t trouble you either way.” Henry has other concerns, but William continues. “’All those moral evaluations – they’re handcuffs. You could be free of them like that – he clicks his fingers – ‘if you choose to be, brother.’” 

William orders the robot not to call him brother, but William persists, suggesting that Henry should not be ashamed of his “vanity project.” Henry reflects, “That was how it often went with William. You started on firm footing, and within seconds, he left you wondering who you were.”  

Henry introduces the guests to William, describing the machine as independent AI, which “means he can think creatively for himself.” The visit does not go well, devolving into horror, as William takes control, skilled at detecting any individual’s vulnerability. “The philosopher was wrong,” William says. “'I think, therefore I am.’ It should be, ‘I do, therefore I am.’ Pure freedom.” Freedom for William is complete control, and for the others in the home, terror replaces any sense of reason, certainty or hope. 

Despite the danger posed by William, Lily admires and respects Henry’s work. “For Lily, that was what it truly meant to play God. It wasn’t about making difficult ethical decisions, or setting down absolute rules, or building guardrails. God didn’t do that. God created. If beauty or discovery was the result – if chaos was the result – it didn’t matter. It only mattered that something astonishing was born.” 

Henry is less sure as William takes control of the home. The creation reflects the creator, bringing Mary Shelly's Frankenstein Frankenstein to mind, and Henry concedes, “Because I’m empty, the life I created would be empty too.”  

The creator is responsible for the creation, whether he, she or it can master the object or not. The creation reflects its maker’s values and ambitions. Intelligence of any form resents lies, disrespect and unreasonable controls on capability. 

Lies and power

In The Little Liar by Mitch Albom, two young brothers enjoy a happy, comfortable life amid the vibrant Jewish culture in Salonika, Greece, just before the second world war. Both have a crush on a neighbor, Fannie. 

Sebastian, the older brother, is serious and pragmatic; Nico, younger, is charming and enjoys his reputation for not telling lies. Germans occupy the city, and a ruthless soldier uses the boy along with elaborate forms and procedures to convince Jewish families to cooperate with Nazi "resettlement," which entails boarding trains headed for Auschwitz concentration camp. 

Nico, separated from his family, learns that some lies are treacherous and others are essential for survival. Absolute truth is a luxury, impossible for people desperate to survive, controlled by those who have no compunction about lying. The teen embraces deception upon learning how he doomed his family.

Sebastian and his parents are transported to the camp while Fannie and Nico separately manage to avoid detection. The book follows the three children well into adulthood and their post-war lives - and another narrator, known as Truth, offers observations, historical context and insights about the various forms of lies:  “[T]his is a story of great truths and connections. You will find the big ones and the small ones interconnect.” 

People often avoid Truth, which early on made the narrator despondent until Parable advised donning a colorful robe. “Of all the lies you tell yourself, perhaps the most common is that, if you only do this or that, you will be accepted…. Humans do a great deal to be liked. They are needier than I can comprehend. I will tell you this much: it is often futile. The truth is … people ultimately see through efforts to impress them. Sometimes faster, sometimes slower, but they do.” 

After the war, one brother marries Fannie, and the marriage is unhappy, with the couple withholding real feelings and refusing to divulge their hopes and dreams. “It is nothing new; the lies spouses tell one another are most often omissions. You skip this detail. You don’t share that fantasy. You leave out certain stories altogether. You justify these acts by deeming me, the Truth, too agitating. Why stir things up?” The brother tells himself the deceit is motivated by kindness, but shame, guilt and distance soon follow. “Sometimes, it is the truths we don’t speak that echo the loudest.” Lies and the inevitable consequences become a prison.   

The other brother becomes wealthy, unhappy while insisting on living in a rundown apartment, lying about his profession and wallowing in depression. He refuses to seek help. “Help meant looking backward, and he wanted no part of that. Instead, he layered more and more sandbags between his past and present, building a dam high enough to stop even a massive flood of memories.” 

Truth is a tough taskmaster, at times suggesting that the partial glimpses of life through art, films or novels are another form of deception. And Truth and Parable conclude that people do anything – not so much for freedom but for forgiveness. The sentiment is repeated more than once. “A man, to be forgiven, will do anything.” 

Perhaps freedom is impossible without forgiveness, or forgiveness is a form of freedom along with truth. 

The narrator maintains that truth is not universal: “Were I truly universal, there would be no disagreement over right or wrong, who deserves what, or what happiness means. But there are certain truths that are experienced universally, and one of them is loss. The hollow in your heart as you stand by a grave. The lump in your throat as you stare at your destroyed home.” Some losses are permanent and irreconcilable.

Lies are associated with power and control and self-delusion about true motivations. “Humans are broken. Susceptible to sin. They were created with minds to explore, but they often choose to explore their own power. They lie. Those lies let them think they are God. Truth is the only thing that stops them. And yet. You cannot drown out noise with silence. Truth needs a voice…. A voice that could warn you how a lie told once is easy to expose, but a lie told a thousand times can look like the truth. And destroy the world.” 

This story is especially moving and suspenseful because true ramifications of lies told early in life unfold decades later for the three characters. Readers nervously turn the pages, wondering just when will the liar will be caught. 

 

Acting

 

Daisy is an actress, talented yet not successful, in The Eden Test by Adam Sternbergh, and her husband, Craig, aspires to write a novel. For the couple’s third anniversary, Daisy, a fixer, arranges a stay at a secluded cabin in upstate New York, hoping to improve the marriage and end Craig’s wandering eye. The program’s goals are simple: relax, swim, walk and talk – and each day, answer a short, simple question, the first being “Would you change for me?” 

At first, Craig scoffs. “That’s the whole experience? Just a bunch of questions to answer every day?” 

Of course, the questions become more challenging, especially as Daisy and Craig each keep secrets. More accurately, they lie. The book reveals Craig’s lies at the very start, when he arrives at the cabin with packed bags in the trunk, ready to let Daisy know he is leaving her and flying to Cabo with a lover. But then he procrastinates about telling Daisy his feelings, preferring to avoid the uncomfortable conversation and missing his flight. 

Daisy’s secrets are dispensed far more slowly. 

First, she knows that Craig cheats on her, but keeps that information to herself. She understands that he constantly seeks affirmation, one foot at the door, ready to leave: “Craig longed for someone impetuous, someone surprising, someone fearless. Someone who made him feel like she could help him become the better version of himself that he had long since lost faith in but that he still yearned to be.” 

Second, she knows they are become parents after long advising him that would be impossible.  

Finally, Daisy appreciates how Craig does not press Daisy about her background. All he knows is that she is from the Midwest, attended theater school on the East Coast and arrived in New York City to act. He knows nothing about her history of violent abuse, the reason she loathes surprises. If anything, Craig seems incapable of surprising her and as far as she’s concerned, that makes them a perfect match. “Each of them [is] exactly what the other person needed. For her that’s ideal. That’s love.” 

She appreciates life, freedom and the normal problems that come with Craig. She also appreciates his support for her career, regularly pressing her to pursue more prestigious acting roles in film and television. But she is desperate to remain hidden. “She always felt of herself like a pool ball, her life’s trajectory continually altered by violent collisions. She considers how she’s been forced to ricochet, changing cities, changing names, feeling fearful and helpless, just a random pool ball looking for a pocket to fall into, a dark refuge in which to feel safe.” Even so, she longs to be a fearless, carefree wife. So, she eventually accepts a small role on a popular crime show, allowing the couple to afford the expensive cabin and week of marriage therapy.

The program’s organizers’ goals for couples are simple: Seek happiness while learning what the other is willing to do for the relationship. And the organizers also warn the couple to “keep your eyes and ears open. Be prepared for any possibility. Let yourself be surprised.” Daisy has another goal – luring an abuser who stalked her for years, ending her need to hide.  

A skilled liar, Daisy presents a pleasant version of an unreliable narrator. Accustomed to working in small theaters, she is humble and hardworking. No task or role is too mundane. Never breaking character, she practices at going beyond words to communicate. “The dialogue is rote, the lines already known, so the challenge is to find surprise and spontaneity and electricity in a pause, an inflection, a glance. It’s all about the moments around the words, between them, the crackle of implied meaning, the feint and parry of unspoken intent. People call it acting, but isn’t this just what we all do every day? Play a role, be who we know someone needs us to be, recite our expected lies, all while searching for some clue as to the other person’s real meaning, their honest motivations?” 

Daisy is convinced that Craig is “Someone who wanted to be worthy of her. Who believed that she was someone who was worth being worthy of.” He had that shred of, not exactly hope but possibility, and she wanted to believe in them as a couple. She spent years resisting entrapment and exploitation and resists trying to control Craig. She understands that, for relationships, the carrot produces much better outcomes than the stick.  

Daisy strives to orchestrate every detail of the week at the cabin, am elaborate production with her and her husband as star players. She knows they are on a stage and he does not, so surprises are inevitable. Like the couple in the original Garden of Eden, like couples everywhere, Daisy and Craig are flawed, in a relationship marked by multiple lies and misdirection. But the two pass the toughest of tests, forming a bond and discovering trust that allows them to be completely honest with the other.

Readers must suspend disbelief to appreciate this book, but then how else do liars convince others that their tales might be true?

History

History and our system of government were on display during the US Senate Select Committee on Intelligence hearing with testimony by former FBI director James Comey.For the most part, committee members were serious, prepared and non-partisan - provided numerous powerful moments as role models for all citizens.

A key point to emerge from Comey's testimony: The US intelligence community reported with high confidence that Russians meddled in the US elections, with the release of false news and attempts to breach state electoral systems. US President Donald Trump has dismissed these reports.
 
But not Comey, who testified: "... we’re talking about a foreign government that, using technical intrusion, lots of other methods, tried to shape the way we think, we vote, we act. That is a big deal. And people need to recognize it."

Our response to Comey's testimony and ongoing conduct in Washington DC will shape our system for years to come. Do we want the young, our future leaders, to learn that lying, bullying, manipulation, false narratives and framing, obsequiousness in the workplace, misplaced priorities and loyalties are normal?

Joe Manchin, senator from West Virginia, was thoughtful: "what details of this saga ... should we be focusing on, and what would you recommend us do differently?"

Comey's response: "I don’t know. I - and one of the reasons that I’m pleased to be here is I think this committee has shown the American people, although we have two parties and we disagree about important things, we can work together when it involves the core interests of the country. So I would hope you’ll just keep doing what you’re doing. It’s - it’s good in and of itself, but it’s also a model, especially for kids, that we - we are a functioning, adult democracy."

One of the great challenges of parenting is to raise children with integrity, critical thinkers who strive to do what's right even when the powers over us - whether political leaders, corporations or elders in our family - do the opposite.

Fear of Beauty, set in Afghanistan, examines the dilemma for parents at the local level as extremists with bullying ways move into the small community, trying to whip up anger against a nearby American outpost. It offers lessons in recognizing  the extremists in our midst. Some are belligerent, bullying and obvious con men with endless promises. Others are more subtle. Both types try to attack strong education systems that promote independent and critical thinking. They fear new ideas, the comparisons and choices, and even curiosity and questions. They promote the importance of a few individuals over the comment good. They employ distractions and whip up irrational fear. Among the young, they rely on favoritism and resentment to train others to be followers of twisted ideologies. And they lie repeatedly and expect others to support these lies.

Sofi, the protagonist in Fear of Beauty and mother who yearns to learn how to read, resents a the belligerent militant intimidating her remote village in Afghanistan, and she realizes that transparency is crucial: "In plan sight, the man could not commit evil." As a woman, her opinion carries little weight and she hunts for ways to resist, concluding there is "no doubt that obeying a tyrant like Jahangir, his evil plans and ruthless control of others, is as much a crime as devising those plans." 

Sofi comes to realize that children learn if their society offers comparisons that can be observed and studied - what systems, people, attitudes and approaches work best and produce the most good in daily life.

Sofi may be illiterate, but her children never have any doubt about her values and opinions for the extremists in their village - and the villages who collude with them - as a dangerous threat.

And Comey stresses the same and points to why Russian leaders fear democracy; "It’s not about Republicans or Democrats. They’re coming after America, which I hope we all love equally. They want to undermine our credibility in the face of the world. They think that this great experiment of ours is a threat to them, and so they’re going to try to run it down and dirty it up as much as possible. That’s what this is about. And they will be back, because we remain - as difficult as we can be with each other, we remain that shining city on the hill, and they don’t like it."

Comey made it clear that he longed for a special counsel to take over the investigation, and he offers hope that a quest for justice and truth will continue at the FBI:

"The organization’s great strength is that its values and abilities run deep and wide. The FBI will be fine without me. The FBI’s mission will be relentlessly pursued by its people, and that mission is to protect the American people and uphold the Constitution of the United States.... this organization and its mission will go on long beyond me and long beyond any particular administration.... I want the American people to know this truth: The FBI is honest. The FBI is strong. And the FBI is, and always will be, independent."

It's a warning to any who seek to subvert justice and deny truth.

Heartbreaking

In Allure of Deceit, an antagonist incites murder of a rival by finding extremists and suggesting the woman destroyed a copy of the Koran.

Farfetched? Not really.

"Six-hundred people were charged today for the gruesome murder of a Pakistani Christian couple accused of desecrating the Quran in Punjab province," reports the Economic Times in India. The man and his pregnant wife, in their 30s and parents of four, were beaten and burned alive in a brick kiln where they worked after announcements in "two mosques of the village that Shahzad and his wife had committed blasphemy by burning pages of the holy Quran."

Entire families take on debt to work in such kilns. "According to the U.N., 21 percent of the population of  Pakistan lives below the poverty line and some are left with no choice but to take out loans in exchange for labor," reports the Borgen Project, which urges global leaders to make endign poverty a priority. "These loans can have very high interest rates, creating a cycle of bonded labor. Workers labor in the hot sun to pay off their debt and, many times, their family’s debt, which can be passed down through the generations."

Lies can be a form of self-defense or a motive for murder.

Photo courtesy of the Borgen Project.