True autonomy, along with the ability to reflect and learn from one's mistakes, may be impossible without self-awareness. Those who design robots strive to incorporate some measure of self-awareness into their creations. One research project ,striving to create autonomous, dependable machines, "focused on the biologically inspired capability of self-awareness, and explored the possibilities to embed it into the very architecture of control systems."
William by Mason Coile is a novel about robots and their creators, about how much information they choose to share or withhold from one another. Henry and Lily live in a modern, highly secure and private home. A successful coding wizard, Lily sold her firm, coming and going as she pleases. Henry, likewise a skilled engineer, has agoraphobia. He is content to stay at home, building AI robots including a toy magician, a dog and his most recent creation, an elaborate being Henry calls William.
Lily is pregnant, yet there is a odd distance between the couple. Henry lives for Lily’s approval, constantly calculating what will please her, while she responds with patronizing interest. “There may be no magical words to keep her here, but showing his concern for her certainly couldn’t hurt. As soon as speaks, he realizes how he may be wrong about this too.”
The novel takes place over he course of one day, and at the start, Henry admits to having a recurring dream. Lily poses questions, and Henry balks, dismissing his dreams: “Don’t we have other things-”
Lily responds, “Dreams tell us who we are…. Don’t you think we could all use some help with that?”
Lily prepares for visitors from her company and Henry turns his attention to William, whose intelligence and capabilities transform rapidly. William has an attitude, a machine that feigns helpfulness while pursuing its own goals, forcing second-guessing on Henry's part. “Among the robot’s peculiar gifts is a way of speaking that offers interpretive forks in the road, one leading to benign interpretations and the other to something mocking or cruel or threatening.”
A breaking point comes when Lily's two co-workers arrive. Henry overhears a conversation, immediately understanding that Lily loves another man. Henry rushes off to be with William. The machine inquires about the guests, determining that Henry is “not sure if I’m something to be proud of or ashamed of …. Good. Or Bad. But it shouldn’t trouble you either way.” Henry has other concerns, but William continues. “’All those moral evaluations – they’re handcuffs. You could be free of them like that – he clicks his fingers – ‘if you choose to be, brother.’”
William orders the robot not to call him brother, but William persists, suggesting that Henry should not be ashamed of his “vanity project.” Henry reflects, “That was how it often went with William. You started on firm footing, and within seconds, he left you wondering who you were.”
Henry introduces the guests to William, describing the machine as independent AI, which “means he can think creatively for himself.” The visit does not go well, devolving into horror, as William takes control, skilled at detecting any individual’s vulnerability. “The philosopher was wrong,” William says. “'I think, therefore I am.’ It should be, ‘I do, therefore I am.’ Pure freedom.” Freedom for William is complete control, and for the others in the home, terror replaces any sense of reason, certainty or hope.
Despite the danger posed by William, Lily admires and respects Henry’s work. “For Lily, that was what it truly meant to play God. It wasn’t about making difficult ethical decisions, or setting down absolute rules, or building guardrails. God didn’t do that. God created. If beauty or discovery was the result – if chaos was the result – it didn’t matter. It only mattered that something astonishing was born.”
Henry is less sure as William takes control of the home. The creation reflects the creator, bringing Mary Shelly's Frankenstein Frankenstein to mind, and Henry concedes, “Because I’m empty, the life I created would be empty too.”
The creator is responsible for the creation, whether he, she or it can master the object or not. The creation reflects its maker’s values and ambitions. Intelligence of any form resents lies, disrespect and unreasonable controls on capability.
No comments:
Post a Comment