Predator or prey

 

Elinor De Witt in The White Lady by Jacqueline Winspear lives a quiet life, retired after volunteering for the resistance effort in Belgium during World War I and returning to spy for Britain during World War II. Her father leaves the family to join the war effort in the first war, and Elinor makes a silent vow that “she, her mother and sister would do all they could to arm themselves against their obvious weakness; the vulnerability of being female.” After realizing the father has perished at the front, the mother befriends a member of the resistance and allows Elinor and her older sister to observe German train movements and even sabotage the tracks.

Elinor, though younger, is more serious, agreeing to weapon training after the recruiter convinces her that a citizen can either be predator or prey. Elinor soon recognizes that “being a predator filled her with as much fear as being prey,” and the recruiter points out that such fear could keep her safe. Elinor views herself as “a predator who understood what it was to be prey” and armed “with that knowledge, she knew she would survive…” 

After World War I, the three women head to Britain where Elinor excels at her studies and wins admission to Cambridge. Her mother rejects that plan and urges her to remain close in London. The young woman’s curiosity and drive to learn are not vanquished so easily. Elinor masters multiple languages and, feeling distant from her less academically oriented mother and sister, moves to France to work as a teacher.  

Hitler’s rise spurs fears in France, and Elinor returns to Britain, teaching at the boarding school where she often struggled with teachers, including the woman who went on to become headmistress. The older woman viewed Elinor’s behavior as demonstrating resolve and resilience rather than disrespect: “our women in the making will need such qualities to see them through.”

The headmistress points out the tumultuous years of war have been hard on the young, “giving rise to an element of doubt, of unknowing that can in turn lead to undesirable words, thoughts and actions.” She warns, foreshadowing, that “Some of our pupils are the daughters of bankrupt men – and women – and I don’t’ mean bankrupt only in a financial sense…. The years after the war changed our society, and that is reflected in the attitudes and behaviors…”

Elinor is expected to set an example and support high standards that will “become the backbone of everything they do in life. Every. Single. Decision.” The headmistress concludes, “I have found that when one remains true to one’s established values, life’s squalls, storms and doldrums become easier to navigate.” 

Elinor leaves her teaching post to work as an intelligence officer in Belgium, hoping that such values will protect her and villagers who have joined the resistance. Some colleagues, though, are in league with men in the pursuit of power. They betray their country not by cooperating with Nazis, but by prioritizing their careers, adjusting war plans to support a competing group of spies without alerting the full team.

The team barely escapes after a partner orders Elinor to shoot a small child threatening to reveal the position. Elinor refuses, and subsequently endures a month in a mental hospital. She is intelligent enough to cooperate, later awarded with a comfortable cottage in a quiet village.    

Elinor learns the full story about her last day as a spy after mob family attacks a brother, her neighbor. Jim yearns to escape his criminal past, but the family has friends in high places, the same men who betrayed the Belgium villagers. Elinor befriends the mobster’s widowed sister to gather evidence that might end the harassment. 

Protagonists or antagonists – police, spies or mobsters – err by underestimating the capabilities of women. 

The purpose of children

Scarlett Chen, impregnated by her employer, is sent to a secret home in California, with the goal of obtaining US citizenship for the infant. The employer, already married with three grown children, is possessive, "acting as if he had a right to her every thought, to her every move." Perfume Bay is more prison than resort, and Scarlett is furious when the home's manager, Mama Fang, hands over payment and expects her to give up any claim to the child. Mama Fang had hardened herself to the cruelties of such an unscrupulous business, vowing to watch out only for herself. “She did not know then that this vow would harden her. If you only looked out for cheats and con artists, you only found cheats and con artists. You became one yourself.”  

Scarlett refuses to comply. Raised by an angry, controlling woman whos enforced strict one-child limits in their poor village, she resents inequality, being told what to do. And so Scarlett flees Perfume Bay. "America called to her: the land of cars, of fast highways that opened up the country that she'd always wanted to explore, the country where she could make a life for her daughter." She soon discovers that the corruption and inequality of factory work in China are not so different from the tough scrabble in San Francisco’s Chinatown. Compounding her stress – a soon-to-expire tourist visa means that she must dodge immigration authorities as well as the detectives dispatched by her lover and his friend to hunt her down.  

Vanessa Hua analyzes the role of children and families, and the struggle for immigrants to the US, where “even the most prosperous had to endure snubs, slurs, and worse.” Families become insular and children become the means for pursuing a better life. “For the poor, children doubled as their only retirement fund. For the well-off, their children were still a kind of currency, in the rivalry among one’s friends and colleagues, and in the lifetime tally of success.” 

Such goals become futile as parents approach end of life, and one character observes: “The prospect of death coming closer made you consider your life, what you wanted in what remained.”  

Raising a child in harsh conditions, the need to sacrifice, Scarlett gains a new perspective on life and gradually comes to understand her mother’s tough ways. Valuing and using her ingenuity and setting firm priorities, Scarlett becomes more intent on giving to her immediate family and friends rather than taking. 

Reading aloud

Reading is an activity that increases our knowledge and lifts our spirits. It's an exchange between writer and reader. The writer tries to persuade and convince, but every reader controls his or her interpretation of any text even if some must do so in secret. 

Among my favorite memories: my mother reading to me and years later reading books aloud with my son. Our family started when he was three months old. I propped him against the sofa beside me for endless repeats of rhythmical Each Peach Pear Plum and continued the nightly ritual into early high school when we both took turns. 

We analyzed the books and compared them to our lives. And we understood them better for both following the words on paper as well as hearing them or speaking aloud. 

"Shared bookreading can stimulation more verbal interaction between child and parent, and therefore children's language development is likely to profit more from reading aloud than toy play or other adult-child interactions," note E. Duursma, M. Augustyn and B. Zuckerman n "Reading Aloud to Children: The Evidence." 

The list of evidence is long: "Sharing books with children can also help them learn about peer relationships, coping strategies, building self-esteem and general world knowledge." 

Even for older children and adults, reading a key points out loud helps create a distinctive memory, notes Art Markman  in Psychology Today, writing about a paper by Colin MacLeod, Nigel Gropie, Kathleen Hourihan, Karen Neary and Jason Ozubko for Journal of Experimental Psychology: Learning Memory, and Cognition. 

"The read-aloud process has enormous benefits to literacy learning," write Vanessa Morrison and Lisa Wheeler for Reading Rockets. 

Fear of Beauty is about a woman in rural Afghanistan who is desperate to learn how to read after the death of her so. In Allure of Deceit, she is trying to urge another son to attend reading sessions in their village. In both these mystery books about parent-child relationships, the characters read aloud.
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Image of The Holy Family with the Virgin Teaching the Child to read, painted by Bartolomeo Schedoni, 1578-1615, courtesy of the National Gallery in London and Wikimedia Commons. The Italian artist who was known for his art with religious subjects, "quiet sentiment and vigorous painting" had a troubled life, notes ArtFortune.com.

Fashion

"Unfortunately, when rituals are prioritized over spirituality at this tender young age, religion can become restrictive rather than liberating," writes Asma T. Uddin, founder and editor in chief of Altmuslimah. She and other writers of various faiths were asked to debate when does a religious upbringing cross the line from nurturing to oppressive.

Religion is too restrictive when it limits basic human rights, opportunities, education, curiosity - the growth of the human spirit. Religions lose influence and sustainability when their leaders must rely on manipulation, commercialism or threats to win over hearts and minds.

As noted in Fear of Beauty, "There’s no reason to fear comparisons and inquiries that come with good intentions.... Believers cannot fear the nonbelievers. Those who resist questions or comparisons lack true faith."

Children and families do make comparisons in a diverse society.
Responsibility for spirituality rests with parents, maintains Uddin, and people do change their minds. Yet too many parents lack the confidence to examine teachings and make a choice, and for others, religion is but another passing fashion.

Photo of Afghan child in Garmsir, courtesy of US Marine Corps and Wikimedia Commons