Malice Domestic 2013

Invisible sleuths, whether hidden, inconspicuous, discounted or vulnerable for any number of reasons, have advantages with an investigation. As others disregard their presence, the invisible sleuth - so often women - can quietly observe a scene. If confident, the invisible sleuth can form her own independent analysis without undue influence from others.

James Lincoln Warren, far left, drew out these contradictory qualities  as moderator of the panel "The Invisible Woman: Sleuths Who Hide in Plain Sight" at Malice Domestic 2013.  Two of the sleuths yearn for literacy - and the other two are quite skilled but marginalized. Such sleuths often earn respect from those outside their immediate environment where their abilities are taken for granted.

In Fear of Beauty, Sofi has little choice but to be invisible. Her community depends on power, hierarchy, outspoken religious devotion and secrecy rather than the rule of law. Illiteracy compounds the horrific effects of bullying. In Afghanistan, women do not have equal standing to men, and Sofi must keep her ambitions, opinions and suspicions to herself. She is a progressive in a true sense - wanting to improve her community for her children - while others see power and safety in maintaining the status quo. But of course, she must work in secret or otherwise put her family at risk.

Lucy Campion in A Murder at Rosamund's Gate by Susanna Calkins (red sweater) is a chambermaid in a magistrate's household in 17th-century England. Like Sofi of Fear of Beauty, Lucy cannot forcefully protest the accepted assumptions about women, as voiced by a religious leader in her community: "Woman is a weak creature, not endued with the like strength and constancy of mind as men. They are prone to all manner of weak affectations and dispositions of mind..." Of course, Lucy's character and her own experiences defy such broad pronouncements.

Daniel Stashower's book, The Hour of Peril, is a nonfiction historical study and focuses on Allan Pinkerton, the methodical investigator who uncovers and disrupts a conspiracy to assassinate Abraham Lincoln in February 1861.  The panel focused less on Pinkerton, himself a fascinating character of American history, and more on widow and assistant Kate Warne. Of all the invisible sleuths, Warne probably has the most choice and control, as well as respect from her peers. Joining the Pinkerton team in her early 20s, she became known as the first female detective - and as such was invisible to others during the course of the investigation, capable of passing herself off as woman from Alabama, collecting intelligence from Baltimore women who are Confederate sympathizers, and passing along secret correspondence between investigators and Lincoln's staff.

The Loser series by Peg Herring (turquoise), including Killing Silence and Killing Memories, features a homeless woman who barely speaks and does odd jobs in exchange for food, while watching the world pass her by on the streets of Richmond, Virginia.  "People have rules different from mine, and they make judgments based on those rules." Escaping what must be a troubled past, the woman tries to keep her mind clear of thoughts, but of course that is not easy. "Thinking of nothing worked for a while, but the mind has a mind of its own." By shedding personal possessions and attachments, Loser can determine who appreciates her for what she is willing to share.

The invisible sleuths in each of these books offer comment on social problems of each time period and location. Each woman has her own way of handling the very old process of globalization and the spread of new ideas and ways of thinking. With every century and technological innovation, globalization gains greater speed, followed by the outpouring of praise and condemnation. Individuals, especially the curious and aware, are open to new ideas and immediately decide which may work best for them. Others who fear change and shifting power resist these protagonists' observations.

Four very different protagonists and stories, yet James Lincoln Warren tied them together with his thoughtful questions in remarkable ways. Malice Domestic ranks high among my favorite mystery conferences.

Photo by D Olsen.

Under construction

A Tweet from one of the great teachers in my past, Bob Reich: "Laws not backed by sufficient enforcement resources are aspirations, not laws. Cutbacks at OSHA, SEC are repeals."

Restoring rule of law is an uphill climb after a reduction in enforcement. A breakdown in enforcement in one area spreads to other areas, as government employees and citizens cut corners and rationalize wrongdoing. Inconsistencies build, and citizens quickly lose faith in the system. Restoring the rule of law and citizen trust is more time consuming than destroying these systems.

And so it is with the Constitution of Afghanistan. 


Article Seven maintains, "The state shall prevent all kinds of terrorist activities, cultivation and smuggling of narcotics." Article Seventeen suggests the country "shall adopt necessary measures to foster education all levels, develop religious teachings, regulate and improve the conditions of mosques, religious schools as well as religious centers." Article Twenty-Two forbids "any kind of discrimination" and "The citizens of Afghanistan, men and woman [sic], have equal rights and duties before this law."

Article Twenty-Three:: "Life is the gift of God.... No one shall be deprived of this except by legal provision."  Twenty-Four: "Liberty is the natural right of human beings. This right has no limits unless affecting others [sic] freedoms as well as the public interest, which shall be regulated by law."

Article Twenty-Five maintains that "Innocence is the original state," that the accused are innocent until proven guilty by an authoritative court."

Torture is illegal. Persecution is forbidden.  Freedom of expression is inviolable.  There is a right to privacy around correspondence.  Personal residences are immune from trespassing without official court orders. Forced labor is forbidden. "Education is the right of all citizens of Afghanistan, which shall be offered up to the B.A. level in the state educational institutes free of charge by the state," according to Article Forty-Three, and Forty-Four encourages programs to "foster balanced education for women, improve education of nomads as well as eliminate illiteracy in the country." 

Those who would over-ride any of these articles can point to Article Two, which enshrines Islam as the state religion and prohibits any law that may contradict those beliefs. Even though Islam might endorse all the other articles of the constitution, the extremists develop their own interpretations to defy the rule of law. Stability in Afghanistan will depend on imams with the courage to speak out against manipulative, partial use of the religion to defend criminal acts.

Yes, laws that go unenforced are no longer laws.

And the difficulty of obtaining an online photo of the Afghan capitol building is notable, apparently a security measure. 

Photo of Kabul's largest mosque, Abdul Rahman Mosque, from Joe Burger and Wikimedia Commons.

Routines

An interview is only as good as the questions asked - and Kristen Elise delves into the writing process, research, how a plot can unwind from our life experiences, interactions with others and observations of our local communities.


The interview touches on the mystery of daily routines, under constant threat from globalization's constant march of change. We take these for granted - until one day they are snatched away - and the memories are haunting reminders of loss and our own mortality.

The routines we adopt from day to day are our research for future books, and as mentioned during the interview, my "best research was going about daily routines, thinking deliberately about every modern item we enjoy and stripping such details from my writing."

Murder Lab is a must-read blog for writers.

Photo of an Afghan family on routine stroll, courtesy of DVIDSHUB and Wikimedia Commons.  

The Onion

Satire in The Onion, as typical, hones in on the big picture - that terrorism is not cool, not smart, not useful in gathering support for one's religious or political beliefs.

"Sayed told reporters that instructing the 27-year-old in the goals of global jihad and providing philosophical justification for carrying out terrorist attacks against innocent civilians in the West is 'pretty much a lost cause at this point,'" notes the article Islamic Extremist Gives Up on Radicalizing Dim-Witted Friend. "At press time, Sayed had zeroed in on another individual, a lost, highly impressionable 19-year-old boy with no moral center and a broken family who the extremist said would be 'absolutely perfect.'"

And such are the antagonists in Fear of Beauty, brutal and ignorant bumblers who contribute only chaos and pain for the communities they visit. The book offers insight into the courage and unity required to stand up to these bullies.

Censorship

Fiction can be both truth and a product of imagination. But some unimaginative readers and reviewers automatically, arrogantly, dismiss a book for lack of authenticity if the author has not traveled to the locale, if the author does not share a protagonist's ethnicity, career or religion, and yet they can offer no other detailed criticism.

Ian Reifowitz writes for In the Fray and Truthout:  "But fundamentally, this line of criticism — that artists or writers can’t tell a particular story because they are of a different ethnic background from the subjects of the film or history — is a form of prejudice, too. It may not have the life-and-death stakes of the kind of prejudice that motivated George Zimmerman, but it is prejudice nonetheless."

Yes, it's prejudice and also censorship, a form of control to limit uncomfortable stories that need to be told. And we can only pity those who refuse to let their imaginations soar.

More about my quest for authenticity on the blog from Dina Santorelli, author of Baby Grand:

"Fiction goes beyond the reporting of facts. Writers can be obsessed with small details and miss the larger truths. As Stephen King once suggested, an author can become 'too busy listening to other voices to listen as closely as he should have to the one coming from inside.'"

Image by Fear of Beauty.

Globalization

The story of Project Artemis is one that shows globalization's many intricate twists.

A man is in charge of training pilots, US and foreign, including those fighting under Chiang Kai-shek, during World War II and decides that Americans could use a school that emphasizes trade and global connections. He obtains an airbase in Glendale, Arizona from the US War Assets Administration with the condition that the property be used for a school "for instruction in foreign area studies, business administration and international relationships." The school's international enrollment drops after the 9/11 attacks on the US, planned within Afghanistan. A few later, the school starts a training program for Afghan entrepreneurs - and that helps boost international enrollment once again.

Connections, expected and unexpected, emerge from trade, education, war and other diverse forces of globalization.

Photo of Lt. General Barton Kyle Yount, Thunderbird founder, courtesy of the Arizona Memory Project.

Parallels

The number of parallels between The Colour of Milk and Fear of Beauty are many and stunning.

Both books focus on women raised in small farming communities, though one is set in 1831 England and the other is set in circa-2012 Afghanistan. The women are illiterate, find reason to learn how to read and write and tell their stories.  Men twist religious texts to control and abuse women. The protagonists are exceptionally intelligent, aware of the challenges for women and their communities. Their families resist discussing those challenges. Both authors toy with grammar to emphasize that these are new writers expressing their thoughts.

Most eerie are the final sentences for each book, the first one published in May 2012 for the UK and December 2012 for the US, the other drafted in 2009 and published in January 2013 for the US.

For Color of Milk: "and so I shall finish this very last sentence and i will blot my words where the ink gathers in the pools at the end of each letter. and then i shall be free. For Fear of Beauty: I have only one certainty in a world that never stops changing - that more must be learned and accomplished. This lack of certainty and the search are my freedom.

Education, the ability to place one's story in the context of our times, is liberating.

The major difference of the two novels? The Colour of Milk is bleak in how the protagonist Mary must take control. Fear of Beauty, in the modern setting, can afford to be more optimistic. Afghan women have role models elsewhere in the world.

To think what our forebears endured from unequal societies ... The author of Fear of Beauty highly recommends The Colour of Milk by Nell Leyshon.