Public prayer

Public prayer is treacherous territory for politicians, whether one offers a new sentiments or repeats a familiar verse. Prayer is laden with symbolism and emotion, and in public transforms into a message of persuasion. The audience may or may not agree, and the choice of words, tone, place can influence the prayer's reception.

For too many politicians, when difficult action is required, public prayers become a means of evading responsibility or accountability.  Private prayer can be about making demands ... or confronting personal responsibility.

And that's why a mystery author finds herself writing about prayer and religion - because disagreement over values and beliefs can lead to power struggles and lethal conflict.

John Newton, the same man who wrote the hymn "Amazing Grace," wrote about "Public Prayer" and warned that some prayers were too much like preaching, a common failing among politicians. "The studied addresses with which some approach the throne of grace remind us of a stranger's coming to a great man's door; he knocks and waits, sends in his name, and goes through a course of ceremony, before he gains admittance, while a child of the family uses no ceremony at all, but enters freely when he pleases, because he knows he is at home," Newton warns. "Some attention to method may be proper, for the prevention of repetitions; and plain people may be a little defective in it sometimes; but this defect will not be half so tiresome and disagreeable as a studied and artificial exactness."

It's for each to decide which is better - public prayer that's awkward, self-serving and poor in form or no prayer at all.

Photo of nomad praying in the desert, courtesy of Kazimierz Nowak and Wikimedia Commons. Nowak, a Polish correspondent and photographer, is described by Wikimedia Commons as likely the first man in the world who crossed Africa alone from North to South and from South to North on foot, bicycle and canoe.

Abundance

I wrote this nine years ago for The New Haven Register - before the subprime crisis hit, before the global credit crisis, before the storms and floods of 2012. Much has changed since then, but the feelings remain the same.

Gathering more property is empty abundance

If we look back on our most awe-inspiring moments, these are probably not time spent on exotic vacations or in elegant restaurants. No, they were everyday moments — snuggled next to a child and reading a book, or moments at daybreak, daily walks that transformed from the routine to special memories.

By no means do our best accomplishments result in the most money. Raising a child would be a top contender for many, as would creative pursuits. I began writing my second mystery novel a decade ago, and restructured at least a dozen revisions. And I am thrilled about a contract that pays an advance of $1,000 for what represents 10 years of work.

And our most valuable possessions are hardly the most expensive. As the fires raged in California, who could not help thinking about what they would reach for first in such an emergency — family, pets, photo albums would top most lists.

If I had the chance to save jewelry, I would snatch the small pearl earrings, an early gift from my husband. If I had to scramble through the ashes left from the fire, I’d search for pottery made by my son as a child and a rock that has the perfect fossil of a fern, found by my father and grandfather long ago as they walked by a creek in their neighborhood and since passed on to my son.

If I could save books, it would be my copies of "Marjorie Morningstar" by Herman Wouk and a cookbook, both of which arrived in the mail from a book club shortly after my mother’s death, almost like a message.

The link between all these belongings, of course, are memories. Our possessions are nothing without memories.

We live in a society that has allowed consumerism to flourish out of control, decreasing the value of almost everything we own.

This probably hurts our children more than anyone.

An introduction from an Oct. 26 article in The New York Times reads: "At age 8, Marcie Rosenthal is done with Barbies. ‘I have a whole collection that I would like to get rid of someday.’ "

Sadly, too many of our children equate the accumulation of possessions with happiness. They expect every want to be satisfied immediately. They embrace objects only to willingly dispose of them a few months later. Many grandparents admit that it’s very hard to find a gift today that truly makes a child happy.

Ironically, the solution to our angst is simple. We can be satisfied with less.

And perhaps we can change the direction in our children’s lives — encouraging contentment with what we have rather than stress over finding more, redirecting our time and energy for a purpose rather than the mere accumulation of wealth.

So what does abundance mean during a time of plenty and comfort? Accomplishments and ideas, strong friendships, smiles on another person’s face. Our pursuit of happiness does not hinge on spending more time on work, earning money, rushing to expensive activities, visiting stores, collecting more possessions. We can spend more time caring for families and friends. We can devote more time to relationships and worthy causes in our communities.

Photo courtesy of Mikimoto

By hand

A research study has shown that children write more quickly with more quantity when they draft manuscripts by hand rather than keyboard.  "But when using a pen, the children in all three grade levels [2nd, 4th and 6th grades] produced longer essays and composed them at a faster pace," reports Joel Schwarz of the University of Washington, in Futurity. The study was headed by Virginia Berninger, University of Washington professor of educational psychology who studies normal writing development and writing disabilities.

The study tested children at three tasks, writing the alphabet both by hand on keyboard; writing a sentence based on one prompt word, both by hand and on keyboard; and writing essays on given topics in 10 minutes.

Victor Burg who taught writing at the Kennedy School of Government during late 1980s and early 1990s often recommended those with writers block to try handwritten drafts. He was advising graduate students tackling assignments on economic and public policy and supervising writing instructors who prepared mid-career students for the graduate program. At the time I was surprised but have since come to realize that it's solid advice for any writing project.

In Fear of Beauty, much of Sofi's personality and voice was developed with handwriting in a notebook, an activity this character had long yearned to try. The task becomes more urgent after the death of her son and she wants to preserve his memory. Yet even securing a pencil and notebook requires subterfuge.

Photo of statue of Isaiah holding pen at Piazza Spagna in Rome, courtesy of gnuckx and Wikimedia Commons.