Charity comes with a catch.
Yes, donors intend to improve lives, do good, help others. But the donations serve other purposes. The donors define the "good" that is accomplished. The recipients can be empowered, given some measure of decision-making capacity. But the donors must set conditions, and they use charitable programs to add a glossy humanitarian veneer to their reputations.
In Allure of Deceit, one of the characters - a victim before first page begins - has a reputation for critiquing charity. She points out the origin of the word "forgiving" is "giving" and how charitable practices can imply that recipients are wrongdoers, weak and deserving of no control.
Charities must tread carefully not to insult those they serve, and that requires lowered expectations on compliance or cooperation. As a result, charity is not the most efficient form for delivering needed services.
The description of Petra Nemcova's gala for the Happy Hearts Fund in the New York Times article by Deborah Sontag, "An Award for Bill Clinton Cam With $500,000 for his Foundation," bears eerie resemblance to the first chapter of Allure of Deceit.
Orange from Songag: "She special-ordered heart-shaped chocolate parfaits, heart-shaped tiramisu and, because orange is the charity's color, an orange carpet rather than a red one. She imported a Swiss auctioneer and handed out orange rulers to serve as auction paddles playfully threatening to use hers to spank the highest bidder for an Ibiza vacation. The gala cost $363, 413."
Green in Allure: "Lime, peacock, moss, sea mist, forest and fern - gowns in every shade of green swirled about the ballroom floor. Aromas of mint and rosemary drifted from all-green centerpieces.... The meal was vegetarian, with ridiculously delicate portion sizes for the salads, fruit, and grilled vegetables.... Such attention to detail did not prevent the wrong people from making decisions or the wrong groups from receiving awards."
Life and art go hand in hand.
Sontag's story focuses on Nemcova offering a $500,000 contribution to the Clinton Foundation, presumably in exchange for his attendance at the gala to accept an award: "Happy Hearts’ former executive director believes the transaction was a 'quid pro quo,' which rerouted donations intended for a small charity with the concrete mission of rebuilding schools after natural disasters to a large foundation with a broader agenda and a budget 100 times bigger." Happy Hearts and Clinton Foundation officials deny that the donation was solicited.
The article echoes the purpose of the gala in Allure of Deceit: The foundation "operated in more than thirty nations and could be counted on to distribute at least $400 million annually for a mix of organizations. GlobalConnect was influential, yet it limited support to some fifty groups per year. Competition was intense."
In Allure of Deceit, Lydia Sendry is powerful, overseeing the world's largest charitable foundation. She wants to change the world, but she also wants to find out who murdered her only son.
The time has come to analyze society's dependence on charitable giving, especially for basic services like health care or education, and perhaps end tax write-offs for all charitable donations.
Note: On September 1, Charity Navigator has given the Clinton Foundation four stars, its highest rating, after a review of the finances.
Review copies are available. Photo of reception, unrelated to charity, courtesy of Tracy Hunter and Wikimedia Commons.