Showing posts with label Noir. Show all posts
Showing posts with label Noir. Show all posts

Thursday, October 5

Witness protection











In The Lie Maker by Linwood Barclay, Boston journalist and novelist Jack Givins is down on his luck. He’s fired before even starting a new job, his car blows up and his publisher rejects his third novel. So Jack is receptive when his literary agent visits with a burner phone that eventually delivers a lucrative job offer: write histories for people entering the US Witness Protection Program. 

“The Witness Security Program was authorized by the Organized Crime Control Act of 1970 and amended by the Comprehensive Crime Control Act of 1984,” notes the program site. “The U.S. Marshals Service has protected, relocated, and given new identities to more than 19,000 witnesses and their family members, since the program began in 1971.” The program provides witnesses with new identification and documentation, initial support that leads to self-sufficiency.

His new employer, Gwen Kaminsky, tough and demanding, repeatedly reminds him that she has a stable of writers. A condition of the new job is that he keep his employer's identity secret. Their meetings are clandestine, and she runs operations out of an office labeled as an import firm. Jack strives to please. After writing and rewriting a profile, he asks to meet the witness and Gwen makes elaborate arrangements, requiring that Jack wear a blindfold.  On the return trip, he asks how thoroughly she had checked him out and how far back she went. 

She explains that, with no criminal record or inappropriate associations with groups on the US watch list, he checked out. Jack responds, noting he found it “one hell of a coincidence that you’d pick someone like me… Someone with more than a passing acquaintance with the witness protection program.”  

Gwen blows up, assuming that Jack is a witness under protection, but he quickly assures her that the witness is his father- a former hitman who testified against his employer who ordered the hits. Michael Donahue left his wife and child when Jack was nine. The mother remarried and changed their names years earlier. Gwen expresses alarm, fearful of being fired, adding “There’s no way I shouldn’t have known this.” Then she asks why he told her. 

“I wanted to clear the air,” Michael explains. "I wanted to be sure there wasn’t something fishy about you coming to me.” He goes on to ask that Gwen help arrange meeting with his father. “I don’t know how to find him, but I figure you do.” 

At one point, Jack learns the subject of his first profile was murdered. But he should have checked the program website: “No Witness Security Program participant following pro-gram guidelines has ever been harmed or killed.”

Jack is surrounded by deceitful characters – including the woman who hires him, the girlfriend who covertly tries to figure out his new employer, a stepfather who consistently has money problems, an agent who misleads about the novel's rejection, a father who abruptly makes brief appearances over the years, lying to protect his son. More than one dies. 

Jack also withholds information, but with time and trust, eventually releases truth in pieces. 

The characters may have flaws, but are earnest and funny, often doing the right thing at the end. Tone and plot are fast-paced and noir. The writing is witty, sharp, excluding unnecessary details. 

Some lies land characters in more trouble. Others are essential for survival.  

Tuesday, November 1

Heat

The synonyms for heat are many - fiery, sultry, sweltering, torrid, burn, scorch, stifling, steaming - and the same words often refer to anger and extreme behaviors.  

Sunshine Noir, a collection of 17 short stories, examines a range of settings - and anger and evil lurk in each, whether they are lush or barren - the Sonoran Desert, a farm somewhere in Syria taken over by extremists, a village of shanties with corrugated roofs in Thailand, back alley secrets in Istanbul, a resort town in Cote d'Ivoire, a village in Botswana, a classroom in the French West Indies, an old port city in East Africa, tough streets in the Dominican Republic and more.

The collection is edited by Annamaria Alfieri and Michael Stanley. There is filth, dust, slavery,  insects, rotting food and putrid smells as well as control, failure and twisted logic and motivations. 

These stories embrace all the characteristics of film noir as described by the late Roger Ebert in 1995 - though the critic does not limit noir by specifying geographic settings or temperatures.

So hot places are as suitable as cold ones, and just as dark. The stories are bleak and dark in every sense of the French word noir, and they offer no hopes of happy endings. The locations - filthy tents, shabby rooms, narrow streets - are mean, closed and dark, too.

Characters are jaded, the men ambitious or clueless, and the women just as tough, and all come from sordid and unhappy backgrounds that have left them broken and bitter. The dialogue is terse, whether cryptic or pointed. They are quick to lash out and blame others, but inside, most realize they have no one else to blame but thmselves as tthey lie, cheat, punish and kill without compunction. No one can be trusted and , and everyone senses death - their own or another's - is waiting just around the bend.

Ebert mentions cigarette smoking, and yes, there is some of that, but alchohol and drug abuse along with other bad habits work just as well, too.

Strangers do not connect, and when they do, the relationships are flawed and misunderstood based on past misadventures. And noir might be dark and ugly, but it's so satisfying to write.  

Authors include Leye Adenle, Annamaria Alfieri, Colin Cotterill, Susan Froetschel, Jason Goodwin, Paul Hardisty, Greg Herren, Tamar Myers, Barbara Nadel, Richie Narvaez, Kwei Quartey, Jeffrey Siger, Michael Stanley, Nick Sweet, Timothy Willaims, Robert Wilson and Ovidia Yu.