Monday, November 29

Imagination



Double Blind starts strong, but character and plot development struggle by the novel's end. Still, Edward St. Aubyn masterfully explores many of the themes found in Fear of Beauty and Allure of Deceit including philanthropy, the human desire for control, and the corruption of immense wealth. 

Francis is an ecologist, intent on returning large patches of land to the wild. He meets Olivia at an Oxford conference and immediately falls in love: “They had only spent one night together, but it had the tentative intensity of a love affair rather than the practiced abandon of hedonism.” The couple assists Olivia’s good friend, Lucy, who discovers she has brain cancer shortly after starting a new position finding worthy innovations for her billionaire boss, Hunter. Hunter is spoiled, surrounded by sycophants and regularly fueled by drugs until he falls in love with Lucy.

Olivia and Francis start spending time with Lucy, Hunter and wealthy friends – and the book’s easy banter examines how Hunter and other philanthropists influence career scientists, and the more forthright scientists can temper impulsivity, waste and extremism. When Hunter first meets Lucy and tells her about his foundation, she responds: “To a foreign eye, America has so much philanthropy and so little charity. Most people have to kill themselves to prove that they deserve ordinary kindness, while a tiny group of people never stop boasting about how generous they are – as long as it’s tax-deductible.” 

Like Allure of Deceit, the book captures how charity is more about donor image and contentment than support for recipients. Early on, Hunter is interested in funding only big, splashy ideas and he dismisses problems like schizophrenia because the illness only affects 1 percent of the population, most of whom are poor. Lucy rejects such thinking, but she, too, is impatient with science’s narrow specializations, mindless quests for tenure and secure funding.

Olivia is the most traditional and serious scientist of the group while Francis may be the most intellectual, at one point noting “The point was not to assert beliefs, but to remove the rubble of delusion that constituted almost all beliefs.”  Yet he remains defensive about the anecdotal nature of his research and meager income. He is annoyed by career biologists, alluding to the depressing work of documenting the decline of species and referring to dissection labs as “random murder.” In an early conversation with Olivia, Francis - who felt “the weight of ecological doom … sometimes so great that he had felt the pressure of misanthropy and despair” early in life - “couldn’t help noticing the strangely cheerful, almost rivalrous way they had discussed the death of nature.”

When Olivia and Francis first fall in love, he expresses aspirations similar to those of Henry David Thoreau, and she expects him to devote the most time caring for their expected child. But wealth, career recognition and control are alluring, and Francis succumbs to the temptations presented by another billionaire who donates a massive sum to an international ecology project that she expects Francis to lead. The relationship between Francis and Olivia may not survive his constant introspection about the human role in natural wilderness – and his tendency of “identifying with one non-human animal after another.” But Olivia is practical: “babies weren’t born to redeem or justify other people’s lives, they were born to have their own life.” 

In the end, a schizophrenic twin may express more contentment and self-awareness than the most educated characters. That man has secured his first job working in a kitchen, funded by – of course – another wealthy philanthropist who lost his own son to suicide. The young man's goal is pursuing a life that comes close to being ordinary with the ability, as Sigmund Freud once wrote, to transform “hysterical misery into common unhappiness.”  At one point, the schizophrenic character tells his therapist:  “Sometimes things are more powerful when you know they’re not true, because you have to imagine them so hard….” 

A determined imagination is useful in setting life goals and finding contentment.

Monday, November 15

Freedom



A Song Everlasting by Ha Jin tells the story of an accomplished singer who angers the Chinese Communist Party and relocates to the United States where he performs occasionally for low wages and struggles for a green card while taking on odd jobs of tutoring students and laboring with a construction crew. His new life requires separation from his wife and daughter, flexibility and humbleness. Still, Tian hopes to find artistic freedom and hopes for his daughter to attend a US college. 

The haunting and eloquent book may move too slowly for some readers as Tian compares his career and life in China versus that in the United States, exploring the multiple meanings of freedom when intertwined with comfort, trust, security, responsibility as well as the quest for a meaningful life. 

Early on, Tian claims to have no interest in politics and hopes that his superiors might forgive him and plead for his return. Instead, he learns the party has a long reach through the diaspora in the United States, intent on ostracizing him if they cannot keep him under their control on their terms. And a good friend points out, “Freedom is not just a personal choice – it’s also social conditions.” 

For Tian, separated from his family, freedom comes to mean solitude and isolation. Chinese government contacts argue that freedom is worthless if one must go hungry and live apart from loved ones, and Tian agrees that “freedom is a different kind of suffering away from tyranny.” He admits that freedom can be “frightening and paralyzing,” taking time to get used to, yet he worries that “cultural pragmatism” limits Chinese people’s visions and pursuits. He misses his celebrity status and the many associated favors while also embracing anonymity. He eventually determines that “solitude is a path to freedom, for which you must accept everything that happens to you, including hunger, disease, and even death. You’re supposed to be responsible for your own existence, body and soul.” At another point, he notes: “To be left alone – that is the essence of freedom.”  

Over the course of seven years, he wonders if the separation and suffering are worthwhile, if the sacrifices are really necessary and justified, and for Tian the answer remains a steadfast yes, as he recalls words of his father-in-law – that courage is “manifested in the way one lived and worked every day.” By the end, Tian is a fervent and thoughtful advocate of democracy, suggesting: “It was time to remind people that democracy must not retreat any further, or the Chinese government would export its system of digital autocracy to control and dominate the world.” 

Freedom of thought is a fundamental human right, nurtured by formal education and self-education. The American Library Association points out that "censorship, ignorance, and manipulation are the tools of tyrants and profiteers" and true justice and freedom depend on the constant appreciation and exercise of such rights.